Harmony Hall

This is one from the archives.  I know what I shot the image on an adapted lens, most likely the Yashica 55ML Macro.  Great lens that I rarely sue.  Come to think of it I have lots of manual focus stuff I rarely use.  The light was extremely harsh so to make it more interesting I just ran in through DxO Film Pack and selected some Ektachrome VS 100.  It gave it a interesting tone so going with it.

Harmony Hall

Wheel In The Sky

Another one from the never processed batch.  It was too dark on the base because the photographer didn’t have metering set right but the more I played with it the more I thought the way the seats contrast with the sky make it interesting.  The color version didn’t work as well but I really like how you see each east outlined against the moody sky.

wheel-in-the-sky
Panasonic G3, 28mm, ISO 200, f/4.0, 1/2500

Hayfield Motel

No time to shoot but having some time to edit.  This one I have had for over a year and just could never do it justice.  Even now it’s not really want I want but I really like the sign itself so I’m going with it.

Hayfield Motel
Panasonic G3, 26mm, ISO 200, f/4.0, 1/3200

Imperfect Yellow

I have sat on this and figured why not.  It’s not a perfect image but after the day I had as I edit this in the wee hours of the morning with still several more hours of work still left to do because of a an imperfection.  I thought, why not show off that not everything that isn’t perfect is horrible.  So enjoy imperfect yellow.

For those of you that are photo gear nuts.  This is straight out of the camera jpeg and look at what it was shot at.  All errors are by yours truly.

Imperfect-yellow
Fuji X100S, 35mm, ISO 2000, f/2.8, 1/40

Down the Exit

I have been playing with shadows and light incase you haven’t figured out what is going on with some of the images.  I admittedly haven’t shot much “street” style shots lately but this one was an opportunity too good to pass up and I liked how it goes from the dark to the light in the image and give it a sense of depth that really isn’t there.  The Fuji again was in sue to snap this picture.

Down-the-Exit
Fuji X100S, 35mm, ISO 500, f/2.0, 1/100

Fall Lights

I had a request for some fall colors from someone in sunny and dare I say warm Florida.  I saw this lam and I liked the leaves around it against the blue sky and the green plant thingies on the wall behind it.  I will say now that this is straight out of the Fuji X100S with nothing but some clarity and sharpness added for my tastes and some contrast.  Meaning, that sky was that blue without me manipulating it along with the leaves.  So enjoy the fall lights.

Fall Lights
Fuji X100S, 35mm, ISO 250, f/8.0, 1/340