Shot this in Luray caverns. I haven’t went back and edited the series like I intended because it’s such a challenge with the light, color correction and so many other things going on with the images.
Just a quick post today because I am actually setting up all my stuff. I moved to a new place here in Thailand and it will be home for the next 12 months. I haven’t unpacked all my stuff since June 5th when I left for Florida so this is the first time I am getting around to doing it. Of course the important, like my computers and other stuff were first but the rest must be unpacked and stored.
Editing this I was going to do it HDR and then mask it in with an Intensify layer. I did the HDR and was happy enough with it. When I did the Intensify portion it looked way better so never masked it in. I just did some dodging and burning and used a gradient in Camera Raw to do some rebalancing. Not the greatest of images but it does mess with your mind a bit.
Here is the second installment of nature squared. This was also shot in Brookside Gardens but on the lake part for lack of better description.
This set is going to be a bit different. The previous set was more landscape based and there are elements of that in this set. This one is more abstract in the way I shot it. The theme is there in that it’s all nature but the it’s not going to be as in your face and obvious.
Just like the previous set some of these were shot in portrait mode and then sized down to fit a square. Others were just cropped down to hide stuff I didn’t want seen or just to fit the theme I was working with.
I did nothing different editing wise. Just my usual workflow so if you want to see look back two days for that post. Like the previous images it was shot on a Sony RX10.
I thought I goofed and copied these images as just individual files last week when I was on the road. Turns out I just missed the folder completely so I get to save some editing time and publish them this week!
These were all taken at Brookside Gardens as I spent several hours just walking around playing with my Sony RX10. I had no real plan of shooting anything in particular except some fall leaves. I came home with a plethora of different images with all sorts of subjects. The RX10 is a handy camera when you just want to go light with one camera. The 24-200 2.8 lens allows you to cover most ranges without worry and you can shoot a variety of subject as your whim takes you.
Editing these was straight up camera profile in Lightroom and then adding gradients as needed. Then moving right into Photoshop for a curves adjustment for tone and contrast. After that local dodging and burning as needed.
This the Bean thing in Chicago. It’s really called Cloud Gate and it’s located in Millennium Park in downtown. If you are near Michigan Ave and Wacker Ave. it’s an easy walk.
I have published a similar image before. I really did this because I wanted to play with HDR and test Aurora 2017 and doing layers with it. So not my finest work in life but it did what I needed.
I have had Aurora 2017 for some time. I just haven’t been in the HDR mood. Of the the reasons is the stupid halos you get when you do HDR around items with sky. There is ways to combat it but it’s tedious and time consuming. The other thing is Aurora 2017 wants you to drag straight from Lightroom into the program and start having it. The problem is that it will ignore all your corrections which really pisses me off. I have custom camera profiles for all my cameras. This has fixed a lot of issues with color and perspective. Aurora 2017 ignoring this has caused problems. What the hell is the point of getting accurate camera info if the program ignores it?
To fix this I just did a single image edit. I applied all my profile adjustment then did my usual adjustments in Lightroom involving gradients and so on. I use Photoshop to put in contrast and so on. When I was done I just took the image into Photoshop and then selected Aurora 2017 as a filter and went to work.
I just kept making layers and masking in within the program. Each layer was working on a specific item within the image. I want the bean thing to the focal point so I did the most HDR in there. Then I did the sky and masked that bit in. Then did a bit of lightening and masked that in. Hit apply and back into Photoshop for local dodge and burn and some desaturation.
This was a quick and dirty edit and nothing fantastic but it’s a fun photo. I could have done it normal but I think the whimsical nature of it already made it a candidate for a test.
This is from Brookside Gardens when I took out my Sony RX10 for a test spin to see how it would perform. The final image reminds me of an abstract painting.
I took this picture strictly because of the light coming through the leaves. It backlit the leaves perfectly. I believe I used the camera’s built-in 3-stop neutral density filter to give me a bit more dynamic range. While never a real substitute for a real filter it does work and it’s easier than carrying a real one and taking it on and off.
Editing wise nothing special. Normally I do all my curves adjustments in Lab Mode in Photoshop but this time I did my initial curve in RGB Mode. This allows me to punch color much more effectively. I then went into Lab Mode for additional contrast adjustments. I did the usual dodge and burn then called it a day.
If you read my post yesterday you read that I was struggling to edit. I turned on some Tool and opened up another set of images and started to edit. I believe Tool’s – The Pot or Vicarious was on when I was editing this one. Either way, the edits came much easier.
This was one of the first images I shot with the Sony RX10 I purchased. I really like the camera and what I can get out of it. Supposedly it’s the same sensor as the RX100III I own. It just seems I am able to get a bit more out of it versus the RX100. May be just because it’s new to me but I am able to push these images a bit more.
This is more or less straight out of camera. I didn’t mask in layers. I did bump the hue/saturation a bit to get the red to punch a bit more and bring out the yellows of the leaves in the background. I then dodged and burned various areas to do local contract adjustments. I paid attention to the lights just because they lead in towards the leaves. I deliberately left them in the frame when I took the image.
PS – Still listening to Tool as I wrote this. This time Forty Six & 2 and Hooker With A Penis. No, Hooker With A Penis is not about a transgender person. Look up the lyrics and it will make sense.
This is another from my recent visit to Brookside Gardens. It was part of my attempt to shoot the leaves turning but being an utter failure at it because I’m always too late in the season to shoot them because of my work travel.
Brookside Gardens has a lot of little lakes and ponds. In fact, there is a rather large lake that will eventually appear when I get around to it. With the light being what it was it seemed a good time to do some reflection photos which I like because you can have a lot of fun editing them provided you are patient and willing to work on them.
Editing wise I kept it very simple. The camera was a smaller Sony 1″ sensor and I just don’t like pushing the pixels to the bleeding edge. So I kept it very basic. I did mask in a Color Efex layer to boost some of the contrast in the colors. I then changed the opacity to a different setting to get the sun beams across the water to stand out a bit more. Just a bit of dodging and burning here and there and done!